I consider Cassandra Delaney's predicament more of a spread-out bondage position as opposed to something along those lines. It would be cool to hear her talk about filming that scene on the DVD commentary, if they ever release something like that. Those were the years before they started making movies together and what they did, they did it for themselves. Are not the responses to any film, play or novel; all in their way works of imagination and fantasy; real?
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Is the reaction to her feigned, fantasy death unreal? Here we have real distress for the actor during the course of creating a fantasy about vampires(! When the lash hits the skin in those scenes, I feel it.
The reaction from our audience varies according to what makes them tick individually, but it's real, of course. I'm sure it will have a disturbing impact on audiences here. When that happens, when the reality of the scenes does away with the staging of it, when the audience believes in it and feels for it, that's when we feel that we did a great job. Avila has described Dead but Dreaming as an Aristotelian (Vampyre) Epic, (as a mediaevalist, I prefer the archaic spelling! In his famous discussion of the nature of tragedy he values such drama as enabling us to experience the emotions of fear, horror, terror and pity, for real.
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The fact of the matter is I just wanted to see if there was any kind of interest in a Hot Iron Database.
It was never a question of whichever side wins gets a database.
Jac asked me to clarify what Aristotelian Epic means to him.