JMD:1 uses this technology to create a vast library of tone styles firmly rooted in the foundations of Marshall amplifiers.
This ultimately not only shapes and therefore limits our technique, it also shapes what we compose, what we write.
We end up thinking still unknowingly trapped in that box." -Adam Nitti Metallica used a Mesa MK 2 c preamp into a Marshall power amp w/ 6550 for Master and Justice.
Storing this sound is just a case of holding down one of the four channel buttons on the amp or saving to the foot controller, storing everything from the EQ to the parameter of chosen effect.
So now your able to go from a classic low wattage tube sound with a hint of reverb, to a traditional high gain '80s lead sound with delay for solos, to a scooped-out metal sound, incorporating chorus with the press of a button.
The effects are divided into three separate stages, Modulation, Delay and also an independent Reverb.
Functionality--Studio To Stage With the included footswitch, the JMD:1 can work to its full ability.
These are delivered in 16 easy-to-access topologies, replicated from component level information for a truly natural and interactive playing experience.
The Digital And Tube Combination For the Marshall JMD:1 amp head After working closely with the digital experts from Softube, Marshall is now proud to present a digital and tube amplifier solution that not only offers a multitude of tones, but also allows the guitarist to experience and experiment with a variety of pre-amplifier topologies from Marshall's history and all in combination with the power and warmth of a traditional EL34 based power amp stage.
The familiar front panel is extensive in features and easy to navigate.
Selecting the pre-amp sound you want is as simple as choosing one of the 16 sounds from the rotary pre-amp control.
This is a thread dedicated to Metallica's amp settings. LOAD HEAVY Gain - 7 Bass - 4.5 Mid - 0 Treble - 6.5 LOAD CLEAN Gain - 2 Bass - 4 Mid - 2 Treble - 5 RELOAD HEAVY Gain - 7 Bass - 4.5 Mid - 0 Treble - 6.5 RELOAD CLEAN Gain - 2 Bass - 4 Mid - 2 Treble - 5 ST.