This investigation also formed the basis for Basher’s doctoral research, which situated his work in the rich lineage of art-makers concerned with commercial display.
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a single robotic light scans the room, tracing the space and highlighting the features and facts of the architecture.
Galleries are charged spaces, framing objects, events and activity within them as art.
They draw attention to what is always there, in the background, quietly supporting the main event. Humour, surprise and interaction are key components of the work.
At first it might seem the space is empty, no show to be seen, no art in the room.
A dusty sprinkle of illicit powder even coats the shelves.
In product, the sketchy outlines of a fraught protagonist emerge.
Our daily lives are so dominated by consumption that it would be hard to overstate its centrality; a case can be made that the acquisition of commodities now serves as the fundamental means of self-expression.
As Harvard University theorist Margaret Crawford writes,“The ethos of consumption has penetrated every sphere of our lives.
These drawings in light animate across the space, aligning with surfaces, corners, edges and ornamentation.